Unless otherwise noted, I designed the key art, title treatments, and art directed these featured campaigns. Also, all the these campaigns were chosen and actually used except for those images in the “creative development” category at the bottom of the page. (For important creative acknowledgments, hover over images)
NOTE: If the embedded videos don’t appear, please refresh your browser.
Someone Spectacular (Agency: Pekoe Group)
Golden Shield (MTC/ Agency: Serino Coyne) — click below for video (you may need to refresh)
A Wonderful World, The Louis Armstrong Musical (Agency: Pekoe Group)
2026 Graphis Annual Poster Winner — Gold. Below is a shot of me and Zharia Shinn (the terrific collage artist who created Louis!) on the day we saw our poster come to life. To learn more about the process, check out our interviews at Broadway News.
Creative Director: Chris Lueck — Illustrator/Collage Artist :Zharia Shinn — Title Treatment/Art Direction Christina D'Angelo —Agency: The Pekoe Group
Aftermath (Client: Jill Stern)
Midnight in the Garden of Good and Evil (Agency: Pekoe Group) — click below for video
Queens (MTC/Agency: Serino Coyne)
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Rock & Roll Man (Agency: Serino Coyne)
ECD: Jay Cooper — ART DIRECTOR: Christina D’Angelo — PRODUCTION DESIGNER: Taylor Crews
ECD: Jay Cooper — ART DIRECTOR: Christina D’Angelo — PRODUCTION DESIGNER: Taylor Crews
Seasons 2017-2021 (client: Danú Theatre Dubai) — click to see the full-size posters
Broadway rebranding for Celebrity Autobiography (Clients: Douglas Denoff and Eric Falkenstein)
The Pass (Client: The Max Hunter Company)
Where the Mountain Meets the Sea (MTC/Agency: Serino Coyne)
ECD: Jay Cooper ILLUSTRATOR : Zharia Shinn ART DIRECTOR/TITLE TREATMENT: Christina D’Angelo
This is a vibrant play with original music about a father and son and their separate/overlapping journeys. The best part? Hands down, art directing the terrific collage artist, Zharia Shinn, was the best part — easy and fun to work with and the results exceeded our expectations!
ECD: Jay Cooper ILLUSTRATOR : Zharia Shinn ART DIRECTOR: Christina D’Angelo
Glass House (Client: Velvet Stage Productions) — The Phillie Trilogy (Client: Doug Devitta)
King James (MTC/Agency: Serino Coyne) — click for video
Four Old Broads… (Client: Leslie Kimbell) — Picnic at Hanging Rock (Agency: Pekoe Group)
Attention Deficit Disorder Cabaret, Jo-Lynn Butterfly, Song & Sass (Client: Angela DiCarlo)
Art Direction and/or title treatments ( agency: SERINO COYNE)
The below images are from campaigns I either designed the initial title treatments for (Some Like It Hot, Prayer for the French Republic, etc.) or art directed through to production with pre-existing artwork (The Little Prince, Cost of Living, etc.) that I may (in some cases) have zhuzhed up a wee bit.
creative developement
What in God’s name does that mean? Relax, I’ll tell you. These are all either unused concepts (or comps as we call ‘em), or in some cases, comps that lead us further down a path to more refined key art (like my initial title treatment exploration for Louis Armstrong was full-blown neon) Note: to see the images in full, please click. And another note: these are all rough works-in-progress comps. One more note and I swear I’m done: I inserted an actual photo of me and President Jacques Chirac in a comp here, and so help me God, don’t think I won’t do it again because I will.
