Unless otherwise noted, I designed the key art, title treatments, and art directed these featured campaigns. Also, all the these campaigns were chosen and actually used except for those images in the “creative development” category at the bottom of the page. (For important creative acknowledgments, hover over images)
NOTE: If the embedded videos don’t appear, please refresh your browser.
Someone Spectacular (Agency: Pekoe Group) — Coco Queens ( Client: Blackgical Productions)
Golden Shield (MTC/ Agency: Serino Coyne) — click below for video (you may need to refresh)
A Wonderful World, The Louis Armstrong Musical (Agency: Pekoe Group)
2026 Graphis Annual Poster Winner — Gold. Below is a shot of me and Zharia Shinn (the terrific collage artist who created Louis!) on the day we saw our poster come to life. To learn more about the process, check out our interviews at Broadway News.
Midnight in the Garden of Good and Evil (Agency: Pekoe Group) — click below for video
Queens (Manhattan Theatre Club / Agency: Serino Coyne) — Glass House (Client: Velvet Stage Productions)
Aftermath (Client: Jill Stern) — Gladys, the Musical (Client: Jason Marks)
Rock & Roll Man (Agency: Serino Coyne)
Seasons 2017-2021 (client: Danú Theatre Dubai) — click to see the full-size posters
Broadway rebranding for Celebrity Autobiography (Clients: Douglas Denoff and Eric Falkenstein)
The Pass (Client: The Max Hunter Company)
Where the Mountain Meets the Sea (MTC/Agency: Serino Coyne)
Frederick! The Musical (Client Hippo and Hammer Productions)
King James (MTC/Agency: Serino Coyne) — click for video
Picnic at Hanging Rock (Agency: Pekoe Group) — Four Old Broads… (Client: Leslie Kimbell) — Phillie Trilogy (Client: Doug Devitta)
Attention Deficit Disorder Cabaret, Jo-Lynn Butterfly, Song & Sass (Client: Angela DiCarlo)
Art Direction and/or title treatments ( agency: SERINO COYNE)
The below images are from campaigns I either designed the initial title treatments for (Some Like It Hot, Prayer for the French Republic, etc.) or art directed through to production with pre-existing artwork (The Little Prince, Cost of Living, etc.) that I may (in some cases) have zhuzhed up a wee bit.
creative developement
What in God’s name does that mean? Relax, I’ll tell you. These are all either unused concepts (or comps as we call ‘em), or in some cases, comps that lead us further down a path to more refined key art. Note: to see the images in full, please click. And another note: these are all rough works-in-progress comps. One more note and I swear I’m done: I inserted an actual photo of me and President Jacques Chirac in a comp here, and so help me God, don’t think I won’t do it again because I will.
